F1x3 Experience es un vídeo corporativo realizado por la agencia Estudio Tres-Cero, que me confía la música del proyecto. Trabajar a las órdenes de profesionales con las ideas tan claras me permite disfrutar enormemente concentrándome en encontrar los tonos e instrumentaciones más adecuados. ¡Gracias por confiar en mí!
El Altramuz [Atesinado #1] es un corto de animación realizado y dibujado por Samuel Navarro y destinado a explicar la tesina de Paola Navarro Vozmediano, doctoranda de la UPV. Ha sido realmente interesante conocer la investigación de Paola y muy fácil encontrar el tono de la música gracias a las indicaciones del realizador y la
“Pills” is the generic that Alberto Adsuara uses to name each of the parts of his latest experiment: Cinema / Materialism is a YouTube channel dedicated to commenting on more or less well-known but all exceptional movie sequences. From the images, the author reflects aloud on different aspects that will force us as spectators of
Marusela Granell is a renowned Valencian artist whose images I had the pleasure to illustrate with a very austere composition that uses traditional percussion instruments and some natural sounds in the beautiful video that introduces her latest work, Alma/Soul. You can see and hear it at: https://vimeo.com/430958301 Marusela Granell es una reconocida artista valenciana cuyas
Music for SIEMPRE (2017), a short film by Alberto Adsuara that doesn’t need words. Música para SIEMPRE (2017), un cortometraje de Alberto Adsuara que no necesita palabras.
Music for CRÁTERES (2017) Short film by Samuel Navarro. I did not have the opportunity to meet Don Pedro Vozmediano, the absolute protagonist of Cráteres. However, I hope to have understood him just a bit with my interpretation of his musical preferences for saetas, or of the emotions that this short film illustrates, which portrays
POST ACTUALIZADO: haz clik para ver Love Birds, el último corto de Alberto Adsuara para el que he tenido el placer de componer la música. Su duración es de unos 10 mn aproximadamente y por eso, antes de ponerme a componer o improvisar, en esta ocasión se hace necesario proyectar un guión sonoro que trabaje al servicio de las
Alberto Adsuara continues to trust on me for the music of his latest microfilms and I thank him for the opportunity to experiment by composing very short pieces for sequences that are already visually impressive. Music doesn’t need words either, but I take advantage of the blog, as I have been doing, also as a
Música para microfilms Read More »
